{"id":575,"date":"2019-07-26T14:36:46","date_gmt":"2019-07-26T06:36:46","guid":{"rendered":"http:\/\/singaporesaxophonesymposium.com\/2019\/?page_id=575"},"modified":"2019-07-26T15:01:10","modified_gmt":"2019-07-26T07:01:10","slug":"philsax","status":"publish","type":"page","link":"https:\/\/singaporesaxophonesymposium.com\/2019\/performers\/philsax\/","title":{"rendered":"PhilSax"},"content":{"rendered":"\n<h2>PhilSax<\/h2>\n\n\n\n<p>PhilSax began as the more formal-sounding Philharmonic Saxophone Quartet, borne out of a passionate group of saxophone-lovers from The Philharmonic Winds and the Philharmonic Youth Winds. Beyond the group&#8217;s regular rehearsals as a full wind orchestra, its section mates felt a need to share their versatility and love for saxophone ensemble music with more audiences. Since the group&#8217;s formation more than 10 years ago, they have performed at various platforms both in the recital hall and in various heartland spots.<\/p>\n\n\n\n<h3>Performers<\/h3>\n\n\n\n<p>Breyann Bantoc, soprano saxophone<br>Keith Kok, alto saxophone<br>Lee Jia Yang, tenor saxophone<br>Tommy Kwan, baritone saxophone<\/p>\n\n\n\n<h3>Programme<\/h3>\n\n\n\n<p>Mark Ang: <em>Two Movements for Saxophone Quartet &#8211; Jump &amp; Drop<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PhilSax PhilSax began as the more formal-sounding Philharmonic Saxophone Quartet, borne out of a passionate group of saxophone-lovers from The Philharmonic Winds and the Philharmonic Youth Winds. Beyond the group&#8217;s regular rehearsals as a full wind orchestra, its section mates felt a need to share their versatility and love for saxophone ensemble music with more [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":25,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/pages\/575"}],"collection":[{"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/comments?post=575"}],"version-history":[{"count":1,"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/pages\/575\/revisions"}],"predecessor-version":[{"id":577,"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/pages\/575\/revisions\/577"}],"up":[{"embeddable":true,"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/pages\/25"}],"wp:attachment":[{"href":"https:\/\/singaporesaxophonesymposium.com\/2019\/wp-json\/wp\/v2\/media?parent=575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}