{"id":832,"date":"2023-06-20T18:33:55","date_gmt":"2023-06-20T10:33:55","guid":{"rendered":"https:\/\/singaporesaxophonesymposium.com\/2024\/?page_id=832"},"modified":"2024-06-26T10:11:54","modified_gmt":"2024-06-26T02:11:54","slug":"chun-hao-ku","status":"publish","type":"page","link":"https:\/\/singaporesaxophonesymposium.com\/2024\/artists\/chun-hao-ku\/","title":{"rendered":"Chun-Hao Ku"},"content":{"rendered":"\n
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Chun-Hao Ku<\/h2>\n\n\n\n

Passionate in all music styles, Chun-Hao Ku had studied with French cellist Fran\u00e7ois Poly on early music interpretation and instrumental arrangement. At the same time, Ku also performs new music and premieres commissioned works in many projects. In order to extend the field of artistic vision, Ku has participated in several theatrical projects since 2017. Ku has been appointed as saxophonist and executive producer of the Innovation Series in 2017 and 2018 which was directed by NTCH, Taiwan, as well as saxophonist and executive producer in 2019 of the Tainan International Art Festival. Ku is the only Taiwanese musician who has been invited to participate the SounDrama Studio workshop in 2019, Moscow, directed by Vladimir Pankov and Artyom Kim.<\/p>\n\n\n\n

Borderless on saxophone playing, Ku often works with the National Taiwan Symphony Orchestra (NTSO) on saxophone orchestral repertoires, as well as a soloist or chamber musician on standard repertoire. Furthermore Ku always challenges the limit of finding more possibilities on this modern instrument, looking for the authentic qualities in interpreting all different music styles and languages of western and eastern cultures. From early to contemporary music, Ku is an experienced performer of genres ranging across chamber music, solo, electronics, and music theatre just to name a few.<\/p>\n\n\n\n

An active participant in many international events, Ku has given recitals and conferences at the World Saxophone Congress (WSC), Singapore Saxophone Symposium, Acad\u00e9mie internationale de saxophone Bretagne, and Sibelius Academy in cities such as Helsinki, Bangkok and Hong Kong.<\/p>\n\n\n\n

Ku is the organiser of the i-Saxo international Saxfest and Artistic Director of Ensemble SonusGlaneur. As a saxophonist of the ISCM-TW, since 2022 Ku has been appointed as a ISCM-TW committee member.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Recital by Chun-Hao Ku: “Chihchun Chi-sun LEE Saxophone Works Recital”<\/h3>\n\n\n\n

Saturday, 20 July 2024, 3.30pm – 4pm
Lee Foundation Theatre<\/p>\n\n\n\n

Chih-Chun Lee: Yu\u00e1n-Xi\u0101ng <\/em>for alto saxophone and wind ensemble (piano reduction) (12′)
Chun-Hao Ku, Alto saxophone
I-An Chen, Piano<\/strong><\/p>\n\n\n\n

Chih-Chun Lee: Diversities <\/em>for soprano saxophone and piano (10′)
Chun-Hao Ku, Soprano saxophone<\/strong>
I-An Chen, Piano<\/strong><\/p>\n\n\n\n

Chih-Chun Lee: Zas! <\/em>for alto saxophone and guzheng (piano reduction) (7′)
Chun-Hao Ku, Alto saxophone<\/strong>
I-An Chen, Piano<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

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This event is supported by the National Culture and Arts Foundation, Taiwan.
<\/p>\n","protected":false},"excerpt":{"rendered":"

Chun-Hao Ku Passionate in all music styles, Chun-Hao Ku had studied with French cellist Fran\u00e7ois Poly on early music interpretation and instrumental arrangement. At the same time, Ku also performs new music and premieres commissioned works in many projects. In order to extend the field of artistic vision, Ku has participated in several theatrical projects […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":25,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/pages\/832"}],"collection":[{"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/comments?post=832"}],"version-history":[{"count":14,"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/pages\/832\/revisions"}],"predecessor-version":[{"id":1001,"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/pages\/832\/revisions\/1001"}],"up":[{"embeddable":true,"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/pages\/25"}],"wp:attachment":[{"href":"https:\/\/singaporesaxophonesymposium.com\/2024\/wp-json\/wp\/v2\/media?parent=832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}